San Francisco museums are making history with a groundbreaking appointment in the arts. The San Francisco Museum of Modern Art (SFMOMA) and the Museum of the African Diaspora (MoAD) announced Cornelia Stokes as the first-ever joint curator dedicated to African Diasporic art. This unique role is set to begin in January 2026 and aims to strengthen inclusivity and representation across both institutions.
As joint curator, Stokes will oversee programming, exhibitions, and collections related to African Diasporic art. Her appointment marks a significant step in highlighting underrepresented voices and bringing diverse narratives to museum audiences. By collaborating across two major museums, the role will offer broader access to African Diasporic art and foster cross-institution partnerships.
African Diasporic art represents the cultural, historical, and creative expressions of African-descended communities worldwide. It includes works that explore identity, heritage, and social justice, reflecting both past and contemporary experiences. Stokes’ expertise and vision are expected to bring new perspectives to museum visitors and elevate the visibility of these important works.
Both SFMOMA and MoAD have long histories of engaging with diverse artists and audiences. This joint curator position expands their commitment to equity and inclusion in museum programming. Exhibitions under Stokes’ guidance will likely feature artists from across the African Diaspora, combining visual innovation with historical context to tell richer stories.
Cornelia Stokes brings extensive experience in curating and advocating for underrepresented artists. Her work is known for its focus on cultural relevance and community engagement. In her new role, she will develop exhibitions, educational programs, and collaborative projects that reflect the complexity and creativity of African Diasporic communities.
This appointment also signals a shift in how museums approach collaboration. By linking two major San Francisco institutions, the joint curator role allows for shared resources, combined audiences, and more ambitious programming than either museum could achieve alone. Visitors can expect exhibitions that are both visually striking and culturally resonant, drawing attention to stories that have been historically overlooked.
The move is part of a broader trend in the art world to increase representation and inclusivity in museum leadership and programming. Museums across the globe are rethinking their collections, exhibitions, and staffing to ensure that diverse perspectives are reflected in how art is presented and interpreted.
Starting January 2026, Stokes’ work will be visible through both temporary exhibitions and long-term projects. Audiences can anticipate new installations, curated shows, and educational initiatives designed to deepen understanding of African Diasporic art. Her role is expected to influence both local and national conversations about art, culture, and equity in the museum sector.
This historic appointment highlights the growing importance of representation in the arts. By creating a joint curator position, SFMOMA and MoAD are setting a precedent for collaboration and inclusivity that other institutions may follow. It also demonstrates the power of museums to serve as platforms for meaningful cultural dialogue and discovery.
Through this new leadership, San Francisco’s museum scene will become a hub for celebrating African Diasporic creativity. Visitors will have the opportunity to explore art that connects history, identity, and global perspectives, gaining insights into the contributions of African-descended artists.
Cornelia Stokes’ appointment is more than a title; it represents a meaningful commitment to inclusion, storytelling, and innovation in museum practice. Her work is expected to shape exhibitions, spark conversations, and create lasting impact in the cultural landscape of San Francisco and beyond.
